Category Archives: Cultural Studies

Building the Art House

Poster illustration

Three Exhibitions on Southeast San Francisco!
Rosenberg Library, City College

Bling Blang, You Bring the Hammer, I’ll Bring a Nail:
Artworkers in Southeast SF
Madeleine Haas Russell Gallery, 2nd Floor Atrium

April 28-November 2, 2017

Cutting the Rug: Capturing the Night Life
Collaboration with the CCSF Journalism Department

4th Floor Atrium
April 28- October 26, 2017

Digging in: Our Green Spaces
A collaboration with YAX/Youth Art Exchange

3rd Floor Atrium
May 4-November 16, 2017

Can we build a shared cultural life in Southeast San Francisco? Building the Art House answers that question with a resounding yes! And offers a compelling example of how this might look. A multigenerational roster of artists brings this swathe of working class San Francisco to life in the Rosenberg Library at City College of San Francisco. Building the Art House assembles three exhibitions that explore visual art, gardening, and performance. Work comes from the Bayview-Hunters Point, Portola, Excelsior, Visitacion Valley and Ingleside districts. Building the Art House gives insight into the cultural production and gathering places that few outside the neighborhoods are aware of.

At the edge of Southeast San Francisco, City College stands as a resilient emblem of survival in a fast changing city. This convergence of exhibitions and programs at City College invites artists to identify with other cultural producers of Southeast SF. This is an opportunity to explore the regional history and possible future of this vibrant corner of the City. The vision for Building the Art House grew out of the Moving Art House Project, a mobile cultural space created by Kate Connell and Oscar Melara (Book and Wheel Works) in Southeast SF in 2015. In this series, guest curator Emma Spertus brings a new perspective and complementary artists to Book and Wheel’s Southeast SF expertise and extensive creative partnerships.

In addition to the exhibitions on display during the spring and fall 2017 semesters, Building the Art House will include an art fair, a tour, a publication and an artists’ panel in fall 2017.

Bling Blang participating artists:

Adam Weiss, Anne Seeman, Andrew Kleindolph, Anthony Ryan*, Andy Vogt*, Arthur Koch, Caitlyn Galloway, Carey Lin*, Cecilia Peña-Govea, Charles Dabo, Charlene Tan, Diane Olivier, Emory Douglas, Estelle Akamine, Floyd Wallace, Keith Ferris, Juan Fuentes, Lisa Magruder, Mark Myers, Matt Christienson, Mel Prest, Micholiano Forks, Nancy Hom, Nathan Watson, Neo Ve’ave’a, Phillip Hua*, Refa 1, Ron Moultrie Saunders, Sarah M. Newton, Sarah Smith*, Kate Connell, Oscar Melara,

*These artists also contributed commissioned site specific backdrops for the exhibition to hang on top of or sit upon.

Download Building the Art House Press Release

For more information:
Guest Curator, Emma Spertus, espertus@gmail.com or
Library Exhibition Curator, Kate Connell, kconnell@ccsf.edu

          

 

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Al-Mutanabbi Street Starts Here: Transcendent Hope

Exhibition: October 29, 2016-April 13, 2017
Madeleine Haas Russell Gallery, 2nd Floor, Rosenberg Library
Library Hours

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Opening Event: Art as Activism, Art as Memorial, artists’ panel moderated by Art Hazelwood in conversation with Kahlil Bendib, Golbanou Moghaddas, Nancy Hom and Juan R. Fuentes
Wednesday, November 2, 2016, 3:45-4:40, Room 305 Rosenberg Library Light Refreshments to follow in the Gallery

On March 5th 2007, a car bomb exploded in the booksellers district, Al-Mutanabbi Street, in Baghdad. Poet Beau Beausoleil working from his bookstore in the Sunset district sent a plea to the cultural world to stand in solidarity with the victims of this tragedy and preserve its memory. He did this for his fellow booksellers in Iraq, but also in defense of culture against those who would destroy it. The project has been embraced by poets, broadside printers, and artist book makers.

This exhibition is a selection of prints, broadsides and artist books. The printmaking on display represents the work of fifty artists from around the world.

Click here forthe Al-Mutanabbi Street Starts Here exhibition assignment and list of library resources.

Artists represented in the exhibition include:


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I am San Francisco: Black Past and Presence

April 16-November 2, 2016
Rosenberg Library, Ocean Campus, 3rd & 4th Floors, Atrium

I AM SAN FRANCISCO makes visible the existence, depth, and diversity of Black life and culture in San Francisco. The exhibition is created in response to the overwhelmingly widespread impression that black life in San Francisco has faded away. This belief only serves to perpetuate the lack of acknowledgement and cultural awareness in San Francisco that is affecting all of us.

San Francisco has always been a city in transition, and it has also always been characterized by its commitment to cultural diversity and creative communities. The evolution of anything naturally involves the evolution of all its parts. We are doing our part to make sure we are not overlooked so that we can grow together with our city. In the words of James Baldwin “We are the San Francisco that no one talks about.”  We are not here to fight, struggle, or prove anything. Our intent is to share our insight on our ever-changing city by recognizing the depth, beauty, complexity, and abundance prevalent within ‘Black life’ in San Francisco—culturally, communally, and individually.

This exhibition is Part II, a sequel to Part I, curated by Kheven LaGrone, I Am San Francisco: (Re)collecting the Homes of Native Black San Franciscans, featured earlier this year at the San Francisco Main Public Library. I am San Francisco is inspired by conversations I have had with my uncle, Kheven LaGrone, regarding diversity within Blackness in the wake of Black Lives Matter.

I Am San Francisco: Black Past and Presence features art from San Francisco natives and residents. We must remember that one story could not capture the magnitude of our presence, to quote Chimamanda Ngozi Adichie, “The single story creates stereotypes, and the problem with stereotypes is not that they are untrue, but that they are incomplete. They make one story become the only story.”

Storytellers and artists represented in I Am San Francisco include:

Aliyah Dunn-Salhuddin; Alma Robinson; Dr. Andrew Jolivette; Emory Douglas; Sophie Maxwell; Dr. Joseph Marshall; Thea Matthews; Virginia Jourdan; Kali O’Ray; Stewart Shaw; Blanche Brown; Bongo Sidibe; Ras K’dee; Carol Tatum; Edward Jackson; Isaih Ball; Joanna Haigood; Maya Rogers; Liz Jackson-Simpson; Marco Senghor; Megan Dickey; Sydney “Sage” Cain; Sabrina Lawrence; Dr. Toye Moses, Theo Ellington; Thomas Simpson; Wanda Holland-Greene; Jacqueline Francis; Wanda Sabir; William Rhodes; Michael Ross; Rhiannon MacFayden; Devorah Major; Gregory Harden; Xavier “Chavi Lopez” Schmidt; Tania Santiago; Samoel “Urubu Malandro” Domingos; Halima Marshall; Careem Conley; Mohammed Bilal; Kristine Mays; Michole “Micholiano” Forks; Jess Clarke; Christine Joy Ferrer; Kheven LaGrone; and the Three Point Nine Collective. The Collective is “an association of African American artists, curators, and art writers. Their work represents their creative contribution to the African American existence, enriching the greater San Francisco artistic community with their narratives and perspectives born from being members of a diasporic community.”

Jarrel Phillips
CCSF Guest Curator
Executive Director, AVE
Member, Three Point Nine Collective
I am a product of San Francisco and San Francisco is a product of me.

Christine Joy Ferrer, Exhibition Panel Designer
EO MVMNT  Media + Design Founder

Window Installation: Sydney “Sage” Cain

Download Assignment and list of library resources: I am SF

Read the related article in Race, Poverty & The Environment

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The Paper Bag Test

Rosenberg Library, 4th Floor
April 28-May 6, 2016

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Artist IlaSahai Prouty invites people to write their stories and comments on a series of paper bags. Each bag has been coated with a color and printed with a word that describes skin tone.  Words from a variety of sources reflect in the construction of race, for example: Porcelain, Olive, Brown Sugar, Yellow, Fair, and Ebony.

Prouty’s personal experiences as a person of mixed decent led her to explore how we construct racial identities in part through language. She has expanded the paper bag test, originally used to distinguish ‘light’ and ‘dark’ African Americans, into a piece that asks people “to think about how we use words to describe, imply and evaluate race, to ask people to reflect on how they see their own skin tone and the skin tones of others, and to present race as a social, as opposed to scientific, construction.”

“Paper Bag Test, City College”, an interactive work by IlaSahai Prouty of North Carolina, will be at the Louise & Claude Rosenberg, Jr. Library on the main campus of City College of San Francisco.

Prouty will discuss her work at 3:30 pm, Thursday the 28th, in room V-115 (Visual Arts Building of Ocean Campus) at City College.

This exhibit and talk are sponsored by the Art Department of the City College of San Francisco, and the Louise & Claude Rosenberg, Jr. Library, to coincide with the Open Engagement Conference at the Oakland Museum.

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Compositions: A San Francisco Filipino American Experience

Madeleine Haas Russell Gallery
2nd Floor, Rosenberg Library
Ocean Campus
March 4-October 13, 2016
Library Hours
Please Join us for a reception! 
 Thursday, October 13, 12 noon-2:00 pm
 Madeleine Haas Russell Gallery
 2nd Floor, Rosenberg Library, City College Ocean Campus
 Meet Janet Alvarado and learn more about the work of her father,
 Ricardo Ocreto Alvarado
 Light refreshments, Free
Event co-Sponsored by School of Social Sciences, Behavioral Sciences and Multicultural Studies, TULAY-The Filipino american Student Success Program, Pilipinos for Education Art Culture and Empowerment (PEACE) and the Multicultural Retention Center.
The reception is co-produced by the Alvarado Project.

Compositions: A San Francisco Filipino American Experience is curated by Janet Alvarado. Black and white photographs taken by Alvarado’s father, Ricardo Ocreto Alavarado, fill the Madeleine Haas Russell Gallery on the 2nd floor of the Rosenberg Library. Ricardo Alvarado documented the Filipino American community in San Francisco during the 1940s and 1950s. Photographs of family gatherings, house parties, street scenes, musical and social events were taken south of Market, on Bernal Heights, in the Western Addition, the Fillmore District, at the Alemany Farmers Market and in the Presidio. The photographer’s warm and observant eye captured a rich, engaged community spread across San Francisco. Commentary from well-known Filipino Americans—Emil Guillermo and musician/composer/educator Melecio Magdaluyo among them, describe the community that Ricardo Alvarado photographed.  An accompanying anthology, Claiming Our Stories, now in the CCSF Library collection, includes essays by contemporary Filipino American writers Oscar Peneranda, Guilo Sorro, Emil Guillermo, Janet Alvarado and others who describe the city’s rich cultural history and contributions Filipinos have made to the community.

Ricardo Ocreto Alvarado took over 3,000. Compositions is Janet Alvarado’s second curatorial project highlighting and contextualizing her father’s work.

Learn more about the Alvarado Project here.

Download: Assignment and Resources for Compositions

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Spring 2016 Library Exhibitions

S16.03_Library Exibition_v6

Also on display at the Mission Campus:
Race and Place, Architectures of Segregation and Liberation

 

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March 11, 2016 · 1:14 am

75 Years of Photographs

Overall Header at top of Photog post
Photo credit: David Goldberg

May 18, 2015 to Feb. 18, 2016 Madeleine Haas Russell Gallery, 2nd Floor, Rosenberg Library, Ocean Campus

Selections from the
CCSF Photography Department
An exhibition of work by
current and former students,
faculty and staff 1939-2014.

CCSF Photography is proud to show a selection from “75 Years of Photographs, Selections from the Photography Department” as part of the 80th year anniversary of CCSF.

Help us Celebrate Thursday October 15th from 6:00-7:30
with a public reception.
Rosenberg Library, 2nd Floor Madeleine Haas Russel Gallery.

The City College of San Francisco offered its first photography class in 1939 and its Director, Beverly J Pasqualetti took a brief break to command a Navy photo squadron during World War II and returned to be the department chair for over forty years. Since then the program has grown into one of the oldest and largest programs in the country, currently with over two dozen courses and more than twenty Instructors who are accomplished photographers in their own right. Come see work from students, faculty and staff produced during this time span and help celebrate 75 years of visual excellence.

Learn More About the CCSF Photography Department and it’s classes

Download the exhibition assignment and list of resources.

phOTO 2 PHoto big camera PHOTO 1

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